Ali Smith wrote Girl Meets Boy more than ten years ago, in 2007, and it was my first introduction to her writing, again thanks to Canongate Books. A rewriting of one of Ovid's most joyful metamorphosis, Girl Meets Boy adds to this mythological story a modern perspective which gives yet another depth to the myth of Iphis … Continue reading Girl Meets Boy, by Ali Smith: about imagination and gender fluidity
"Nobody eavesdrops an old lady chatter. To them it's all one buzzing noise. They think we're discussing our knee pain and funeral plans." This remark, made by one of the sassy old ladies that people Erotic Stories for Punjabi Widows, is both funny and profound, for it speaks, as does the novel, of a social phenomenon … Continue reading Erotic Stories For Punjabi Widows, by Balli Kaur Jaswal: empowering women through writing (and erotic tales)
This week's topic for Our Daughter's Daughter's Society, on Instagram, (check this link if you want to see the posts and contact @sarahs89reads and @paperbacking if you want to join) was modern retellings of older tales and as Sarah chose to write about Wide Sargasso Sea, I decided to write my review, at long last, on Foe by … Continue reading Foe, by J.M. Coetzee: decolonizing the classics
I think it is a secret for no one here that I love Zadie Smith. I admire her wit, her style, her sense of humour, her cleverness and sagacity. I'm in awe at the fact that she began her career as a writer in her early twenties, and that her first novel, White Teeth, was none … Continue reading White Teeth, by Zadie Smith: fundamental interrogations on the fundamentals
One has to brace oneself before reading The Underground Railroad. Like all books on slavery, this novel painfully recreates the worst acts of violence committed by slavers, slave-owners and slave catchers. After each book on slavery, you think that you've read the worse of what the worst humans are capable of, but then another book pops up … Continue reading The Underground Railroad, Colson Whitehead: a long walk to freedom?